#Lyrics china cat sunflower full#
#Lyrics china cat sunflower series#

#Lyrics china cat sunflower series#

Also in the middle solo, the key changes again for a section of the solo, then shifts back for the verse - this part of the arrangement they would keep in later versions.Ģ-23/24-68 - Dick's Picks (two versions, one out of Alligator)ģ-17-68 - Download Series (out of New Potato Caboose) By March they'd start to correct this - notice in the March versions how they change the key right after the opening riff. It's in a different key, which Garcia doesn't sound too comfortable with, since his voice is too low.

#Lyrics china cat sunflower full#

The Eleven fits so naturally into the China Cat jam it seems inseparable, like an extension of the same song.Ĭhina Cat is very different in early '68 from its later incarnation - it's full of that roaring '68 energy, taken very fast with lots of rattling drums and lots of solos from Garcia, and Pigpen doubling the lead riff with Weir - the song just rushes by. These three songs were always performed as an indivisible unit - the segue from Dark Star into China Cat is like stepping onto a rocket, as China Cat blasts into hyper-speed with some screeches from Garcia's guitar. Our first live performances of China Cat come from the Northwest Tour in January '68, as part of a medley: Dark Star>China Cat>Eleven. Me a riff and told me that's what he wanted to hear. Bob Weir later said, 'China Cat Sunflower is just about the only song where Jerry ever taught China Cat is one of the Dead's catchiest pieces, with an unstoppable riff, intertwining guitars, and memorable soaring solos - it might make even a non-deadhead tap their toes. When Garcia sang the words, they could sound like a string of nonsense syllables.but the words weren't the focus of the song, they were more a backdrop to the music. The lyrics are quite consciously psychedelic: It seems stronger than their last studio attempt in June '66, but sadly they don't seem to have finished it.Īfter that, the song vanished from their setlists for nearly three years.Ĭhina Cat Sunflower was one of the first lyrics Robert Hunter wrote for the Dead - apparently he mailed it to them as a poem in mid-'67, and they later set it to music. They apparently considered Rider for their first album, since we have an instrumental track of it from the album sessions in January '67. The 9/16 version marks a change - it's longer with more verses and two solos, and it's the first time the 'I wish I was a headlight' verse appears (sung by all). They sometimes sing the verse, 'I'd drink muddy water, sleep in a hollow log, than stay here in Frisco, be treated like a dog' - which would be dropped in later years. Garcia has a cool, poppy guitar solo, and he keeps soloing under the vocals in the second half, which is a nice touch.

Phil takes the singing lead with Weir harmonizing the music is more upbeat and bouncy than later Riders, taken at a faster speed with Garcia's constant rhythm-guitar chirps and Weir's Byrds-style chords the harmonies are straight folk. There are lots of live Riders from '66, mostly identical to each other - they turned this old blues into a happy pop song that fits in well with the mid-'60s folk/rock sound. (studio - these early takes were also released on the 'Birth of the Dead' CD) A somewhat better version was recorded at the Scorpio Records session in June '66 but one of the Dead's trademarks was already becoming apparent - their songs were better at live shows. I Know You Rider was one of the first songs the Dead recorded, at the Autumn Records session in November '65 - not a standout version, but it shows they already had the arrangement in place, and it wouldn't significantly change during the next year. There's an excellent discussion of the origins of Rider here: The lyrics the Dead chose are very evocative in their compressed blues style, being somehow foreboding and hopeful at the same time. Some of the alternate lyrics of other versions are here: In the late '50s it started circulating as a folk song and was covered by a number of people in the early '60s Garcia picked up the song from the folk scene and brought it to the Dead - possibly they had even been doing it in the Mother McCree's jugband. Our story begins with I Know You Rider, which first emerged as a series of floating blues verses in the '30s. (Note that this is not a guide to best-of versions in fact, I won't even be mentioning the best versions.) The first China>Rider we have was played on 9/30/69, 40 years ago - these two songs have a tangled history in the early years of the Dead, so I'll offer a brief introduction to how their performances evolved up to '74.